Skip to content
Get in touch

pulp101 · our newest apprentice

same vector, new basis.

Milana Kumar traded political science for applied mathematics and statistics, found Pulp through a university robotics team, and now works on machine learning here. This is her story, in her words.

  • applied math + stats
  • machine learning
  • systems of power
  • calligraphy
  • her color
Milana Kumar smiles at the camera, wearing a dark green blouse, against a soft lilac background.
Milana KumarResearch Engineer, ML · Pulp101

tl;dr

  1. political science → applied math + stats
  2. same goals, new coordinates
  3. ideas are engines, not aesthetics
  4. a stronger why → a stronger how
  5. calligraphy club → her own font

in her words

I come from a humanities and social justice background, drawn to the work of analyzing and sustainably transforming systems of power.

I’ve always been interested in the deeper mechanics of how people, institutions, and narratives shape the world around us: what gets protected, what gets erased, what gets normalized, and what gets rewritten. Over time, that lens didn’t just shape what I cared about. It shaped what I wanted to build.

the switch, freshman yearMy freshman year, I changed my major from Political Science to Applied Mathematics and Statistics. The two fields can seem unrelated, but the change was not a rejection of my original trajectory. It was a turn toward the deeper mechanics that truly interest me. Where I started, in computer science and political science, still drives my curiosity, and I’ve discovered that my interests come alive at the crossroads of abstract reasoning, structured problem-solving, and philosophical inquiry. My path may look altered, but my goals are the same: to bring technology, logic, and policy together.

Political science taught me how power moves through institutions and narratives. Mathematics gave me a framework to understand structure itself: a language for abstract reasoning, rigorous problem-solving, and systems building. It became the foundation I didn’t know I was missing.

I came to technology and AI not as an abstract academic pursuit, but as a tool for designing real systems that can create change at scale. Values don’t just live in mission statements. They get encoded into infrastructure, and the decisions we make in design, tooling, and systems building scale beyond any one person.

robotics team → pulp101Following that thread led me to my university’s robotics team, where a teammate recognized a real connection between Pulp’s mission and my own. Before I knew it, I was part of this incredible community.

Pulp is the most accurate reflection of my character and passion I’ve ever found in a community. It’s rare to be surrounded by people who treat ideas as engines rather than aesthetics, who turn instinct into structure and approach building with real intention.

ideas as engines, not aesthetics.

I’ve spent years paving my way through spaces where language was power and the stakes were real. I’ve learned that action is empty without intentionality, and that a stronger why will always lead to a stronger how.

why → how → whatStart from the center. The why sets everything that moves outward from it.

I’ve also learned that transformative dialogue is one of the most powerful catalysts for empathy, growth, and change, and that our stories are more than anecdotes. They are acts of resistance.

I feel my most authentic and powerful self when standing firm in collective conviction with my community. By challenging the systems and attitudes that perpetuate injustice across generations, we can build environments that elevate the voices and insight of the right people: environments where care, rigor, and responsibility aren’t optional, but foundational.

I’m endlessly grateful to be part of Pulp101, not just because of what we’re building, but because of who we’re building it with.

Milana Kumar · Research Engineer, ML

a note on the title

the arrow doesn’t move. the grid does.

In linear algebra, a change of basis describes the same vector in new coordinates. Nothing about the vector changes; only the grid you measure it against turns.

It is the most exact way we found to say what Milana says about her switch: the path may look altered, and the goals stay the same.

The blue arrow never moves. Its coordinates change as the grid turns from one basis to the other.

calligraphy club → a typeface

her handwriting, as a system.

Milana was in her high school’s calligraphy club. Since then she has drawn her own hand into a working font, milly’s font, letter by letter in TypoDojo’s studio. A font is a small system: every letter has to agree with every other on height, stroke and spacing, so that anything anyone types still looks like her writing. Hers has 26 letters, drawn once and shared by capitals and lowercase, and nine marks of punctuation.

TypoDojo is a Pulp special project she is also working on, now in preview: a place to learn to draw letters by hand, turn them into a real font, and share it or sell it, with a daily practice and ranks that mark how far you have come. Its first rule is that the hand stays the author. Every font comes from strokes a person drew, and those drawings never train a model.

Under the play it is a system with hard rules: an update has to reach every existing account without anyone clearing or reinstalling anything, and a published lesson never changes under the people who already answered it.

Numbers and symbols she hasn’t drawn yet show in Pulp’s typeface.

  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • X
  • Y
  • Z
  • !
  • ?
  • ,
  • .
  • :
  • ;
  • '
  • "
  • -

milly’s font, by Milana Kumar. SIL Open Font License 1.1.

she also wrote What is adultism, and why does it matter? An essay about being seen, testifying at the Tennessee State Capitol, and why young people’s stories are acts of resistance. Read the essay

Picture credits

Pulp

Color mode

Roll into a random page on Pulp. A few hidden pieces can only be accessed by taking a chance.

Get in touch

Color mode

Kept on this device only.

What are you trying to understand?

So we know who to write to.
An address we can reply to, like name@example.com.
A question, a dataset, an argument that keeps going in circles.

Get in touch
Roll into a random page on Pulp. A few hidden pieces can only be accessed by taking a chance.